{"id":333,"date":"2026-01-22T16:49:57","date_gmt":"2026-01-22T16:49:57","guid":{"rendered":"https:\/\/elegant-orange-pig.176-9-172-14.cpanel.site\/available-works\/"},"modified":"2026-03-04T11:35:01","modified_gmt":"2026-03-04T11:35:01","slug":"available-works","status":"publish","type":"page","link":"https:\/\/ivanazivic.com\/sr\/available-works\/","title":{"rendered":"Dostupni radovi"},"content":{"rendered":"
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Dostupni radovi<\/h1>\n\n\n\n
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Ivana \u017divi\u0107 svakako nije obi\u010dan slikar realisti\u010dkih motiva, razlikuje se od svih ostalih, me\u0111u najoriginalnijim je jer ne koristi uobi\u010dajena re\u0161enja novih realista. Ne slika hiperrealisti\u010dki, ve\u0107 ima sopstveni izraz, ne istra\u017euje uve\u0107anu scenu i ljudske glave, konvencionalno re\u010deno omiljeni portret velikog formata. Umesto toga komponuje slo\u017eene celine, ulja na platnu koja su veoma zahtevna u re\u0161avanju \u017eablje perspektive, telesnog skra\u0107ivanja i distorzije, opti\u010dki odre\u0111enih prelamanjem scene u vodi. Na prvi pogled njen vizuelni svet je realisti\u010dan po izgledu, ali konceptualno je pomeran u potpuno nestvarne okru\u017eenja, slikanje je potopljeno u akvati\u010dnu atmosferu, a tela u vodeni labirint.<\/p>\n\n\n\n

Slikarke poput nje mogu da se suprotstave ludilu filmskog i televizijskog ki\u010da, totalitarnim reklamama, serijama, hitovima i igrama. Njen uspeh je sve ve\u0107i jer gradi sliku potpuno tradicionalnim elementima \u2013 ne\u0161to sli\u010dno moglo bi nastati u baroku ili devetnaestom veku. Nema ni\u010deg od sada\u0161njeg sveta u njenim sna\u017eno izra\u017eenim uljima, a ipak svako uzbuduje i provocira izuzetno modernom senzibiliteto\u0161\u0107u. Rokoko zamci, luksuzne odaje iz pro\u0161losti, pravoslavne crkve i d\u017eamije, kao \u0161to bi Klod Debisi rekao \"potopljene katedrale\", predstavljene su na tim platnima, a umetni\u010dki izraz je savremen bez svo\u0111enja na minimum. Posmatra\u010d je osve\u017een i prijatno iznena\u0111en posle svih bezbrojnih i zamornih vizuelnih \u0161okova \u2013 optimizam je najve\u0107a novost.<\/p>\n\n\n\n

Dejan \u0110ori\u0107, likovni kriti\u010dar<\/p>\n\n\n\n

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Kada sam prvi put pogledao slike, imao sam utisak \u2013 a to se vrlo \u010desto de\u0161ava da su \u010dak i slike najve\u0107ih slikara na svetu bolje na fotografijama nego u\u017eivo \u2013 ali ovde moram priznati da ove slike koje vidim imaju taj fantasti\u010dan motiv, jedan od mojih \u017eivotnih, da je voda zapravo prona\u0111ena u realnim prostorima, ovde je izvedena, rekao bih, posebnom tehnikom i na na\u010din slikanja koji polako gubimo, a to je slikarstvo ljudi koji znaju da slikaju. U ovoj figuracji ima ne\u010dega \u0161to nasledimo iz na\u0161e pro\u0161losti, gde u slikarstvu, kao jednoj od najva\u017enijih pro\u0161lih aktivnosti, i dalje pridr\u017eavamo principa da je slikarstvo slikarstvo, kao film, da je to audiovizuelna umetnost. Mislim da je ovo \u010dista umetnost koja prenosi na nas uzbudenje koje autor verovatno posti\u017ee dok stvara, a ta temperatura nam se prenosi.<\/p>\n\n\n\n

Emir Kusturica, filmski reditelj<\/p>\n\n\n\n

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Radove Ivane karakteri\u0161e istra\u017eivanje enterijera ispunjenih vodom, naslikanih karakteristi\u010dnom me\u0161avinom figuracije, fantastike i monta\u017ee. Posmatra\u010d se ose\u0107a obavijen ovim prostorima u kojima \u017eivi usamljena figura pliva\u010da koji istra\u017euje unutra\u0161nji emotivni svet. Po\u0161to je postigla tehni\u010dki vrlo visok slikarski standard, \u017divi\u0107 se ne bavi neprijatnim temama sveta oko nas, ve\u0107 boravi u svetu ose\u0107anja, predstavljenih kroz niz visoko estetizovanih metafori\u010dkih prostora kroz koje telo pliva\u010da lako prolazi, leti i roni. Dva osnovna gradivna elementa pri\u010de \u2013 pliva\u010d i sobe \u2013 pozicionirani su kao prirodan odgovor na neprirodnu situaciju: prostori deluju stabilno i realno, dok se telo pliva\u010da javlja kao zamu\u0107ena, nestvarna pojava, astronaut koji krstari kroz njen unutra\u0161nji prostor.<\/p>\n\n\n\n

Aleksandra Lazar, teoreti\u010darka umetnosti, kustoskinja Galerije Drina<\/p>\n\n\n\n

<\/div>\n\n\n\n

Kreativni rad Ivane \u017divi\u0107 po\u010dinje o\u010diglednom, posmatranom scenom i izolovanim detaljom, a zavr\u0161ava bogatom i nadrealnom vizuelnom pri\u010dom. Scenografski tuma\u010deni kao pozadina veli\u010danstvenih gra\u0111evina, zidovi izme\u0111u kojih se kre\u0107emo postaju prostori \u017eelje i kontemplacije, ali i potrebe za kontrolom i racionalizacijom. Kombinuju\u0107i tri motiva kojima gradi prostor slike \u2013 vodu, luksuzni enterijer i usamljenu figuru \u2013 umetnica sigurnom rukom vodi posmatra\u010da u umetni\u010dku narativu koja polazi od vidljive stvarnosti. Koriste\u0107i realizam i dvosmislenost, Ivana \u017divi\u0107 posti\u017ee za\u010daranu i poetsku atmosferu slike, koju prisustvo vode nagla\u0161ava svojim vi\u0161estrukim simboli\u010dkim zna\u010denjima.<\/p>\n\n\n\n

Zorica Ati\u0107, istori\u010darka umetnosti<\/p>\n\n\n\n

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Ljudi su oduvek tra\u017eili slobodu u religiji, filozofiji, kulturi i umetnosti. Svi, u skladu sa li\u010dnom senzibiliteto\u0161\u0107u, te\u017ee slobodi od straha, patnje, pritiska, tu\u0111ih mi\u0161ljenja, nametnutih uverenja\u2026 Voda evocira ose\u0107aj lakosti, levitacije, letenja i slobode, dok prostori, \u010dak i ako su luksuzni, ostavljaju utisak anksioznosti, ograni\u010denja, klaustrofobije, zarobljenosti. Utisak potopljenog prostora je zagu\u0161ljiv, ubrzava \u017eelju da se prona\u0111e izlaz, poja\u010dava \u017eelju za slobodom.<\/p>\n\n\n\n

Ivana \u017divi\u0107, slikarka<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

Available Works Ivana \u017divi\u0107 is certainly not an ordinary painter of realistic motifs, she is different from all the others, among the most original, because she does not use the usual solutions of the new realists. She doesn’t paint hyperrealistically, but has her own expression, she doesn’t explore the enlarged scene and human heads, conventionally speaking the now-favorite portraiture on […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-333","page","type-page","status-publish","hentry"],"yoast_head":"\nAvailable Works - ivanazivic.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ivanazivic.com\/sr\/available-works\/\" \/>\n<meta property=\"og:locale\" content=\"sr_RS\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Available Works - ivanazivic.com\" \/>\n<meta property=\"og:description\" content=\"Available Works Ivana \u017divi\u0107 is certainly not an ordinary painter of realistic motifs, she is different from all the others, among the most original, because she does not use the usual solutions of the new realists. 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